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Funny you refer to "slave copywriters."
Maybe it's my distance from the field (I've been a full-time mama now for four years), but there's a lotta freedom in being responsible only for the copy, and not for the whole ballgame. Different pressures, and alot less pressure being a lowly CW instead of CD.
And admittedly, sometimes less fun, depending on how your creative team is set up. In my shop, I took lead from my very first CD, who said "a good idea is where you find it" meaning that copywriters sometimes have good design ideas and a designer can sometimes have good copy. I'm biased, of course, so I think the former is true more often than the latter, but at least I admit my bias, right? In any case, we had really fun, really productive brainstorming sessions, out of which came supremely effective materials for our clients.
Getting to your question ... well, it's not that clear, in my case.
Like the last poster to this thread, I started in journalism. Small town/county where I grew up, there were no ad agencies, so I made do by getting every media job I could: I was a reporter for a daily newspaper (INVALUABLE experience writing on daily deadlines, or as I used to refer to them: deadly daylines), I reported and announced for a local radio station, I even sold portraits through Olan Mills -- not what one would normally consider preparation for advertising, but I learned stuff about sales scripts and salespersonship that turned out to be very valuable later, in my DM years.
In high school and as an undergraduate, I had almost every role on our campus newspapers as it was possible to have, from reporter through photographer, layout editor, ad sales manager, and upward to editorial positions. I also wrote a couple of columns, which again, honed my writing skills in ways that, while not specifically advertising, gave me an advantage of people who'd written less in general because they were too focused on "the right job."
Any job you can get is right, if you know how to look at it, how to learn from it.
My first agency position was as an unpaid copy intern at a small-ish regional agency. The secretary there wasn't doing a very good job, so the boss fired her and hired me. As secretary and part-time media buyer. (I HATED media, by the way, but it was a foot in the door, so I took it.) Oh, and by the way, I had a copy chief there who made me write and rewrite and rewrite and rewrite until I wanted to throw things at him. I'm not sure I ever accomplished what he wanted me to, whether he was wanting me to write in a voice more like his, or whether he thought he was giving me my own little private, hellish "medical residency" sort of experience, or what. (Later, he made a very oblique pass at me which I completely missed and then "outed" him unknowingly in a phone conversation with his wife. I was young and stupid and never did figure it out until I got a really horrid, nasty letter from him after I'd sent a Christmas card, accusing me of all sorts of nastiness. Hmm. Caught with his pants down, or at least, with planning to get his pants down. But I digress. More.)
Anyway, after said copy chief left, in time, the boss hired a real secretary and put me into half-time media, half-time copywriting. An odd combination, but he was working his budget and trying to keep me at a full-time wage. By the time he got around to hiring a full-time media buyer, I was going crazy in my already-wrecked first marriage, and I bailed on the agency to go back to grad school. Total full-time copy time? Maybe four months?
Skip ahead: the punchline to grad school was, I didn't get my graduate degree, but I got the divorce decree, which is what I really needed.
Then I got another non-advertising gig that helped me enormously: I worked in a printing company, assisting the owner, working out a time-reporting system to make sure every department, every task, was appropriately billed to its job and client. There I learned a bunch about print production AND about time reporting, both invaluable, again.
Then I felt the need to get out of crazymaking (they put me in sales there, which almost killed me) and get back to copywriting. Started freelancing on a shoestring. Nearly hung myself with it, too, until.....
Towards that CD job ....
At the time I made connections with the DM agency, it was teeny-tiny; more of a mailing house with "free creative services" than anything else. So I started as a very part-time freelance writer for them (since he wasn't charging for my service: about half my time was helping him with the firm's marketing materials), with the owner not realizing what he had on his hands. Within a few months (can't remember and don't have my resume handy), I convinced the man to hire me full-time, and I developed one of the single strongest promotions I ever created: a self-promo for the agency that set the stage for a major blowout in sales of creative services.
Within another year or so, my department -- not the agency itself, but only creative services -- was a million dollar profit center, up from being a liability to the company. By that time it was me, one full-time graphic designer, a part-time intern, and a stable of freelancers.
Nice job if you can stand the heat, and if the organization knows how to handle the rapid growth.
Unfortunately, mine didn't. We burnt out, a shooting star crashing in flames toward the earth.
Now. I've gotta go attend to my kids so I don't have time to edit this and see where the loose ends are. If you've got more questions, ask 'em and I'll try to get back here to answer.
L
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